Upscale your photos by up to 600% while perfectly preserving image quality.Ĭreate a beautiful 80 x 60 inch print from a simple iPhone photo. Enlarging your image without losing detail has always been impossible… until now. Upsizing the files wasn’t very swift, but neither is making a 40-inch-high print.Beautiful photo enlargements using machine learning. Testing note: I found none of the instability that made using ON1 resize an unpleasant experience. If your vision is worse, your distances may be closer. If your vision is better, your distances may be further. Beige flowers, APS-C: 11 feet (ignoring the overbright highlights on the left)īy the way, my vision is 20/20 (20/15 on a good day) in my left eye, and 20/25 in my right eye. Beige flowers, FF: 6 feet (ignoring the overbright highlights on the left).Here’s the viewing distance where I stopped seeing a difference from the GFX 100 image: I next printed some crops at the scale of 40-inch-high prints. They won’t stand close inspection next to the real 100 MP images, but they’re not bad at all. One more set of crops: GFX 100, 110 mm f/5.6 I find these more credible than the ON1 images in the previous post. Remember, these crops are 1/17 of the height of the print. There are some obvious artifacts in the last one, but I doubt that they’d be visible unless you got up close and personal with a 40-inch high print. Z6, APS-C, 55mm f/2.8, Resized with Topaz Gigapixel AI Z6, FF, 85mm f/4, Resized with Topaz Gigapixel AI Now I’ll show you results with Topaz Gigapixel AI, using the default settings. We’ve looked at at resizing the full frame and APS-C images to the size of the GFX 100 one using Lightroom export and a smarter resizing program: On1 Resize. If you haven’t already done so, please at least skim the earlier posts. Image height is 2780 pixels and image area is a bit less than 12 megapixels. The increase sharpening is to compensate for the (weak) AA filter on the Z6. Lightroom sharpening amount = 30, radius = 1, detail = 0. That’s pretty close to the sharpest aperture for that lens. Nikon Z6, DX mode, Zeiss Otus 55 mm f/1.4 lens, set to f/2.8.Image height is 4000 pixels and image area is 24 megapixels. That’s not the sharpest aperture for that lens, but the sharpness is not far down from its best there. Nikon Z6, FX mode, Zeiss Otus 85 mm f/1.4 lens, set to f/4.Image height is 8776 pixels and image area is 101 megapixels. Lightroom sharpening amount = 20, radius = 1, detail = 0. Fujifilm GFX 100, Fuji 110 mm f/2 lens, set to f/5.6.In the previous two posts, we looked at the results of resizing files from three different camera/lens combinations: If you go to the Category List (on the right in the desktop formatting), find “Printers” and click on it, you’ll see all the posts in that series. I’ve created a category called “Printers”, and put this post in that category. This is also a continuation of testing that I’ve been doing on the Epson P800 printer. This is also relevant to the Fuji GFX 100 for other posts about that camera, look at Category “GFX 100”. There’s a drop-down menu there that you can use to get to all the posts in this series just look for “Nikon Z6/7”. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. While not directly about the camera, this is one in a series of posts that relates to the Nikon Z6.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |